AEPH
Home > Conferences > Vol. 22. HEED2026 >
Cross-Media Translation of Inner Narrative from the Perspective of Narratology—A Comparative Study of the Original and Movie of the Girl with a Pearl Earring
DOI: https://doi.org/10.62381/ACS.HEED2026.22
Author(s)
Jingyi Guo
Affiliation(s)
Faculty of Letters and Journalism, Xiangtan University, Xiangtan, Hunan, China
Abstract
Using narratology as a theoretical framework, this study makes a comparative analysis of the textual differences in inner narrative presentation between the original book “Girl with a Pearl Earring” and its film adaptation in 2003. From the analysis results, the original work is based on the first-person limited-knowledge perspective, and with the help of inner monologue and free indirect quotation, it realizes the multi-layer juxtaposition of the psychological level and the flexible adjustment of the narrative distance; When it comes to movies, video text methods such as behavior design, dialogue blank space, and scene narrative are used to build a psychological expression system, and the expression has changed from “direct narration” to “hint”. The essential reason for these differences, in the final analysis, is the difference in media characteristics between language symbols and image symbols; The core of cross-media translation does not lie in anything else, but in reconstructing that psychological expression with the language of the new media itself. This study makes a systematic comparison from the five dimensions of narrative perspective, expression form, narrative level, narrative distance, and interpretation space, and provides a pure text research path for the cross-media adaptation of psychological narrative literature works.
Keywords
Narratology; Inner Narrative; Translation Across Media; Text Contrast; “Girl with A Pearl Earring”
References
[1] Fu Shouxiang, Li Xin. Artistic Communication and Female Light Spreaded Across Media--A Feminist Analysis of “The Girl with a Pearl Earring” [J]. Women’s Studies Series, 2011 (6): 71-76. [2] Robert Stam. Literature and Film: A Guide to Film Adaptation Theory and Practice [M]. Beijing: Peking University Press, 2005. [3] Gerard Genet. Narrative Discourse · New Narrative Discourse [M]. Translated by Wang Wenrong. Beijing: China Social Sciences Press, 1990. [4] Shen Dan. Research on Narratology and Fiction Stylistics [M]. 4th Edition. Beijing: Peking University Press, 2019. [5] Mick Barr. Narratology: An Introduction to Narrative Theory [M]. Translated by Tan Junqiang. Beijing: China Social Sciences Press, 2003. [6] Cheng Xiangli. A Perspective on the Relationship between Film and Literature in Media Transformation [D]. Urumqi: Xinjiang University, 2004. [7] George Bruxton. Novels to Films [M]. Translated by Gao Junqian. Beijing: China Film Publishing House, 1981. [8] Dai Tong, Lei Xiaoyan. The Unconscious Psychology of the Movie “Girl with a Pearl Earring” --Based on the Perspective of Psychoanalysis [J]. Western Journal, 2021 (13): 152-154.
Copyright @ 2020-2035 Academic Education Publishing House All Rights Reserved