AEPH
Home > Economic Society and Humanities > Vol. 1 No. 12 (ESH 2024) >
Integration of Liuzhou Cliff Inscriptions in Creative Product Development and Educational Practices
DOI: https://doi.org/10.62381/E244C06
Author(s)
Weiwei Huang, Lingling Chen*, Jiahui Xiong, Entong Lai, Fan Yu, Wenjing Fan, Rui Sheng
Affiliation(s)
Liuzhou Institute of Technology, Liuzhou, Guangxi, China *Corresponding Author.
Abstract
Liuzhou cliff inscriptions stand as a significant cultural heritage of the Chinese nation, encapsulating a wealth of historical, cultural, and artistic value. The emergence of the cultural and creative industries has transformed these inscriptions into marketable cultural products, which have been seamlessly integrated into educational practices, offering a novel approach to the preservation and transmission of this heritage. This research systematically examines the strategies for developing cultural and creative products based on the Liuzhou cliff inscriptions, as well as their integration into educational contexts, employing methods such as literature review, field research, and case analysis. In terms of educational integration, the research emphasizes the incorporation of cliff inscription culture into various facets of curriculum design, pedagogical innovation, and practical activities. The objective is to foster students’ historical and cultural literacy, aesthetic appreciation, and innovative thinking. Through the development of relevant courses, organization of field trips, and thematic seminars, students are provided with an in-depth understanding of the historical context, cultural features, and artistic value of the Liuzhou cliff inscriptions, thereby enhancing their cultural confidence and stimulating their interest in learning.
Keywords
Liuzhou Cliff Inscriptions; Cultural Product Development; Integration of Education and Teaching; Cultural Inheritance
References
[1] Zong Xia. Cultural Product Design of Kong Wang Mountain Cliff Inscriptions from the Perspective of Deconstruction. Shoes technology and design, 2022, 2(17): 44-46. [2] Fan Sihao. Protection and Development of Chaoyang Rock Cliff Inscriptions in the Context of Cultural Tourism in Yongzhou. JinGu Creative Literature, 2023, (10): 81-83. DOI: 10.20024/j.cnki.CN42-1911/I.2023.10.026. [3] Wang Hui, Wen Shasha. Digital Protection of Hongshi Gorge Cliff Inscriptions and Their Modern Tourism Value. JinGu Creative Literature, 2021, (23): 65-66. DOI: 10.20024/j.cnki.cn42-1911/i.2021.23.029. [4] Pei Ziwen, Cheng Xiaojie. Cultural Value and Development Strategy of West Mountain Cliff Statues in Guilin, Guangxi. Cultural Geography, 2024, (22): 39-41. [5] Huang Zhenzhong. Aesthetic Characteristics of Calligraphy Art on Cliff Inscriptions in the Xi River Basin: A Case Study of Liuzhou, Guangxi. New Aesthetic Domain, 2024, (01): 46-48. [6] Peng Jianbing, Li Junyi. Economic Overview of the Post Roads in the Border Areas of Qian and Gui Provinces as Reflected in Cliff Inscriptions. Journal of Xingyi Normal University for Nationalities, 2023, (04): 7-11+27. [7] Qin Shengyi. "Innovative Thoughts on the Protection and Utilization of Cultural Relics in Liuzhou, Guangxi. Collections, 2023, (05): 134-136. [8] Hilburn J.Terms of (Dis) Use: Where Modern Libraries Fit in the Overabundant-Yet Limiting-Online Information. Information Today, 2022, 39(7): 18-21. [9] Wang Pusheng. Liuzhou Cliff Culture. Guilin Museum Collection, 2020, (00): 257-265. [10] Pan Xiaojun, Liu Dong. Liuzhou 'Tianshan Wanli' Cliff Inscriptions. Popular Archaeology, 2023, (10): 34-39.
Copyright @ 2020-2035 Academic Education Publishing House All Rights Reserved