Search

Research on the Application of Flying Sky Image of Qiuci Mural Painting in Xingyao White Porcelain Cultural and Creative Design

Author(s)

Yunshi Hao, Yongming Hua*

Affiliation(s)

School of Fine Arts and Design, Changji University, Changji, Xinjiang, China *Corresponding Author

Abstract

As a significant component of Qiuci mural paintings, the image of the flying sky represents a unique aspect of Qiuci art, created by blending the aesthetic characteristics of various ethnic groups. This art form is recognized as the earliest cave art in China, notable for its skillful execution, monumental scale, rich content, and diverse subject matter. Its artistic style distinctly differs from that of secular paintings. Xing kiln white porcelain as a very representative of ancient China's porcelain category, starting from the late Northern Dynasties began to burn, to the Sui and Tang dynasties reached its peak. China's porcelain firing to the peak, thin as paper, white as snow, texture like jade, light like jade, tire fine, white like jade, texture warm, forming the pattern of the Tang Dynasty, the south blue and north white. This paper explores based on the Qiuci mural paintings with the image of flying sky as an entry point, through the combination of design innovation with Xing kiln white porcelain, aims to provide the characteristics of the cultural and creative design with artistic value to draw on, to create a unique IP image of the cultural and creative design products and culture of the bridge, but also to meet the high standards of consumer demand, to promote the inheritance of the culture of the Qiuci and to help the cultural and tourism industry high-quality development.

Keywords

Mural; Xingyao White Porcelain; Fei Tian; Cultural and Creative Design; IP Image

References

[1] Zhang Jiarui, Tang Hongyu. Artistic Aesthetic Symbolization and Inheritance Innovation of Flying Pattern. Life and Companionship, 2024, (38):21-23. [2] Chen Meihua. Application of Flying Sky Image of Guzi Mural Painting in Cultural and Creative Product Design. Delta, 2024, (31):85-87. [3] Ma Lan, Ma Cheng. Research on Silk Road Cultural and Creative Product Design and Branding. Northwest Fine Arts, 2025, (01):94-97. DOI: 10.13772/j.cnki.61-1042/j.2025.01.01 [4] Du Zixuan. Design and application of Yungang Grottoes Feitian Lekki image cultural and creative brand. Kunming University of Science and Technology, 2024. DOI: 10.27200/d.cnki.gkmlu.2024.002218. [5] Zhou Mingming, Geng Hongjie. The application idea of Chinese traditional pattern elements in cultural and creative design practice. Art Dazhan, 2024, (32):23-25. [6] Shi Jiarui. Research on the application of the image of Tang dynasty flying sky in Dunhuang mural paintings in cultural and creative design. Guizhou University, 2023. DOI: 10.27047/d.cnki.ggudu.2023.001661. [7] Yang Menglin. Application of Dunhuang Mogao Grottoes mural patterns in the design of tourism cultural and creative products. Jiangxi Technology Normal University, 2022. DOI: 10.27751/d.cnki.gjxkj.2022.000480. [8] Beijing Art Museum. Xing kilns of China. Beijing: China Overseas Chinese Publishing House,2012.303. [9] Zhang ZQ. A preliminary discussion on the decorative process of white porcelain from Xing kilns in Sui and Tang dynasties. Art Appreciation, 2020, (12):152-153. [10] Li Fang. Exploration and application of artistic characteristics of Xing kiln white porcelain in contemporary brand image design. Jimei University, 2024. DOI: 10.27720/d.cnki.gjmdx.2024.000286.