AEPH
Home > Economic Society and Humanities > Vol. 3 No. 4 (ESH 2026) >
The Inheritance and Development of the Ciming Opera
DOI: https://doi.org/10.62381/E264401
Author(s)
ZihanYou1, ZiyuanYou2
Affiliation(s)
1Faculty of Humanities and Arts, Macau University of Science and Technology, Macao, China 2Faculty of Education and Human Development, The Education University of Hong Kong, Hong Kong, China
Abstract
Ciming Opera was introduced into Pingtan, Fuqing and other places from Yuyao, Zhejiang Province in the middle of the Ming Dynasty. It is a local opera that integrates Kun, Yi and Yuyao dialects, and is a local opera with the co-existence of Zhengzi (official sound) and white characters (Ping speaking). Its performance form has a unique style. Ciming Opera was once brilliant from the early to the middle period of the Qing Dynasty, and was deeply loved by the local people. However, with the development of The Times, the influx of other operas impacted Ciming Opera. The performance stage decreased sharply, and the number of viewers decreased, which led to the decline of Ciming Opera. It's significant to analyze the inheritance and development of Ciming Opera under non-genetic inheritance. It is expected that this paper can contribute some beneficial reference and enlightenment to the prosperity and development of local opera culture.
Keywords
Intangible Cultural Heritage; Ciming Opera; Inheritance and Development; Ciming Puppet Opera; Ciming Line Opera
References
[1] Zhang Wenyu. The Inheritance and Development of Qinglong Shadow Play from the Perspective of Intangible Cultural Heritage Protection. Chinese Drama, 2025, (01):87-88. [2] Xu Kaixing. The Inheritance and Development of Fu 'an Local Opera: A Case Study of "Fu' an Pingjiang Opera". Culture Journal, 2024, (12):18-21. [3] Leng Zenglong. Implementation Paths for Introducing Intangible Cultural Heritage into Campus Settings at Higher Vocational Colleges. Jiaying Literature, 2025, (02):144-146. [4] Li Jingyu. Fuqing Ciming Line Opera and the "Madam Opera". Fujian Art, 2024, (01):33-36. [5] Ye Mingsheng. Discussion on the Origins of Pingtan and Fuqing Ciming Opera and Ciming Line Opera and Their Protection as Intangible Cultural Heritage. Fujian Art, 2024, (01):24-32. [6] Jiang Jialin. Research on the Contemporary Inheritance and Development Strategies of Jin Opera Culture. Shanxi University, 2024. [7] Chen Wan. Research on the Inheritance and Development of Hengzhou Huagu Opera. Xinjiang Normal University, 2016. [8] Zhao Yaxin. A Study on the Inheritance and Development Strategies of the Drum and Flute Music in Southwest Shandong from the Perspective of "Intangible Cultural Heritage". Shandong University, 2019. [9] Song Ge. Research on the Inheritance and Development of Anhui Huaibei Bangzi Opera. Jilin University, 2021. [10] Che Wanli. The Current Status, Inheritance, and Development of Liuzhou Opera, a Local Theater Form in Qingdao. Qingdao University, 2015. [11] Tan Qimu. An Investigative Study on the Inheritance of Xinjiang Quzi Opera. Xinjiang Normal University, 2023. [12] Zhou Doudou. Research on the Current Status, Inheritance, and Protection of Jinan Meihu Opera. Northeast Normal University, 2021. [13] Yuan Yanbo. Research on the Inheritance and Development of Nanle Mulian Opera in the Context of Intangible Cultural Heritage Protection. Xinjiang Arts University, 2024. [14] Liu Xiankun. Research on the Inheritance and Development of Lei Opera, a National Intangible Cultural Heritage in Zhanjiang City. Guangdong Ocean University, 2018. [15] Ji Xueyan. Research on the Inheritance and Development of Liangqiu Opera. Shandong University of Art, 2021.
Copyright @ 2020-2035 Academic Education Publishing House All Rights Reserved