AEPH
Home > Higher Education and Practice > Vol. 2 No. 9 (HEP 2025) >
Entropy & Metaphor & Allegory: Unscrambling on Post-Modernism of Thomas Pynchon’s Works
DOI: https://doi.org/10.62381/H251914
Author(s)
Zhang Yan, Yu Liangqi
Affiliation(s)
Shihezi University, Xinjiang, Shihezi, China
Abstract
Thomas Pynchon, The American black humorist, has import “entropy” theory of Thermodynamics and Information theory into his literary eyeshot. His works from particular visual angle of entropy announce human society just among tremendous closing system, and turn confusion and disorder day by day, and finally will tend towards the tragic destiny of languishing and deathly stillness. Pynchon’s works by obscurity and mult-meaning’s metaphors and symbols introduce reader to admirable art labyrinth of entropy world; and by allegorize narrating resource of the post-modern literature construct new meaning text, and since his resisting entropy’s dissimilation to human beings by metaphor literary manner, Thomas Pynchon has been known as “anti-entropy hero”.
Keywords
Thomas Pynchon; Entropy; Metaphor; Allegory; Dissimilation
References
[1] [US] Jeremy Rifkin, Ted Howard. Entropy: a new worldview [M]. Translated by Lv Ming, Yuan Zhou. Shanghai: Shanghai Translation Publishing House, 1987:39. [2] [US] Jeremy Rifkin, Ted Howard. Entropy: a new worldview [M]. Translated by Lv Ming and Yuan Zhou. Shanghai: Shanghai Translation Publishing House, 1987:3-4. [3] Plater, W. M. (ed). The Grim Phoenix: Reconstructing Thomas Pynchon. Bloomington&London: Indiana University. 1979, 5. [4] Dong Hengxun, Zhu Hong. A Brief History of American Literature (Next) [M]. Beijing: People's Literature Publishing House, 1986, 398. [5] [E] Terence Hawkes. Metaphor [M]. Translated by Mu Nan. Shanxi: Beiyue Literature and Art Publishing House, 1990, 1. [6] [German] Ernst Cassir. Language and Myth [M]. Taiwan: Taiwan Jiu Da Culture Co. and Gui Guan Book Co. 1990, 75. [7] Stimpson, Catharine R. Pre-Apocalyptic Atavism: Thomas Pynchon’s Early Fiction Modern Critical Views. New York:Chelsea House Publishers. 1986, 82. [8] Liu Xuelan. Oedipa's Contemporary Adventures in the Wilderness--A Test of Thomas Pynchon's Utilization of the Pursuit Narrative Mode [J]. Journal of Xiamen University (Philosophy and Social Science Edition), 1998, 27(2):17-22. [9] Ma Xiaozhao. Entropy" Law Perspective and Allegorical Narrative in Pinchin's Novels [J]. Journal of Yantai University, 2005, 18(1):68-72. [10] [US] Daniel Hoffman. Contemporary American Literature [M]. Translated by World Literature Editorial Office. Beijing: China Literature Union Publishing Company, 1984, 194. [11] [German] Walter Benjamin. the origin of German tragedy [M]. Translated by Chen Yongguo et al. Beijing: Culture and Art Press, 2001, 146. [12] W·H·Audn. ”The Guest Hero”, in Perspective in comtemporay criticism, ed. Sheldon Norman Grebstein. New York:Harper and Row, 1968, 371.
Copyright @ 2020-2035 Academic Education Publishing House All Rights Reserved