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On the Contemporary Transformation of the Communication Mode of Drama-Take "The Green Snake" and "The Red Rose and the White Rose" as Examples
DOI: https://doi.org/10.62381/O252606
Author(s)
Xiaoman Han
Affiliation(s)
School of Literature, School of Journalism and Communication, Guangxi Normal University, Guangxi, China
Abstract
In the development and evolution of drama, the expression of contemporary drama has gradually tended to be combined with the audience's experience. To achieve a more profound way of communication, this article mainly starts from the two plays directed by Tian Qinxi, "The Green Snake" and "The Red Rose and the White Rose", and examines the expressiveness of modern and contemporary plays under the perspective of expectations from three aspects: the construction of the surface visual form of contemporary plays, the aesthetic construction of character discourse, and the emotional expectations referred to by the theme, and feels the unique flavor of modern and contemporary plays.
Keywords
Chinese Drama "Green Snake" "Red Rose, White Rose" Expected Vision; Transformation
References
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