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Interpretation of the Crying Marriage Song "Hanhai Sai mie" in Dai Dialect Area of China
DOI: https://doi.org/10.62381/P253A14
Author(s)
Song Yuqian, Wu Kexin
Affiliation(s)
Yunnan Open University, Kunming, Yunnan, China
Abstract
The crying marriage song "Hanhai Saimie"was once an indispensable tune in the wedding ceremony in Dai (Tai Nua) dialect area of China. However, with the change of global lifestyle, this kind of song carrying nostalgia has gradually declined.In this paper, relying on the existing field data in Dehong areas of Yunnan,China. it conducts oral narration and interviews with the female group of Dai (Tai Nua), and by investigating the current living conditions of the crying marriage song, it deeply describes the ecology of a specific region with theoretical explanations.
Keywords
Crying Marriage Song; Identity; Metaphor; Oral History
References
[1] Lawrence Buell,The Future of Environmental Criticism:Environmental Crisis and Literary magination,Malden,MA:Black-well Publishing,2005,p145. [2] Shooting location: Yingjiang Zhina Township, Mangshi, Dehong; Photographer: Song Yuqian; Shooting time: 2020.10.18. [3] George Lakoff.Metaphors We live by.University of Chicago Press.2003:85-91. [4]Jin Xiaotuan, female, 32 years old, from Mangmao Village, Xuangang Township, Mangshi City, administrative staff of Mangmao Village Committee. [5] Cai Xiaohuang, Editor in Chief, "Overview of Dai Traditional Culture in Dehong" [M]. Dehong Ethnic Publishing House, 2016 (09): 61 [6] Written by Hu Ba Meng, translated by Yan Wen Bian On Dai Poetry " China Folk Literature Publishing House (Yunnan). 1981 [7] Shen Bo Cultural Memory and Song, Music, and Dance Rhyme Yunnan University Press. September 2011
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