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Ritual Iconographic Regeneration and Value Reconstruction: A Study on the Artistic Expression of JiaMa Symbols

Author(s)

Kirstin Dong

Affiliation(s)

Shandong Experimental High School, Jinan, Shandong, China

Abstract

The research background of this paper originates from personal interest. This study draws upon an extensive collection of Yunnan JiaMa imagery and an analysis of existing cultural and creative products incorporating JiaMa elements. It seeks to explore methods for applying JiaMa in artistic creation that move beyond its conventional use as a straightforward symbolic motif. Jiama are called JiaMa, rather than woodblock prints, because they are visual expression products embodying culture, beliefs and folk customs. The core research question of this paper is how to interpret JiaMa talismans by applying the Art Semiotics proposed by Susanne Langer, and how to apply this theory to the author’s own artistic creation practice. The core viewpoint of this paper is derived from the analysis of Yunnan JiaMa talismans based on the Art Semiotics: the essence of JiaMa talismans is not static images, but the core component of dynamic ritual behaviors. In the ritual process, the form and function of JiaMa talismans achieve absolute unity, forming an inseparable organic whole. Based on this viewpoint, the author attempts to restore the organic integrity of JiaMa talismans in the process of artistic creation and design. This practice promotes the regeneration and value reconstruction of JiaMa talismans, thus completing the relevant artistic creation practice. To address these questions, this study adopts a combined methodological approach centered on Visual Analysis and Research-creation. Visual Analysis is employed to deconstruct the formal composition, symbolic vocabulary, and contextual meanings of JiaMa talismans, providing the critical lens for theoretical interpretation. Complementing this, the Research-creation methodology integrates theoretical inquiry directly into the artistic process itself, positioning creative practice as a primary mode of investigation to explore and materialize the contemporary regeneration of JiaMa's organic integrity.

Keywords

JiaMa; Art Symbol; Creative Practice; Visual Art

References

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