AEPH
Home > Philosophy and Social Science > Vol. 3 No. 2 (PSS 2026) >
Based on the Requirements of Innovative Development of Traditional Culture Research on the Health Empowerment of Intangible Cultural Heritage Thangka Murals
DOI: https://doi.org/10.62381/P263205
Author(s)
Jing Tian1, Peng Zhang2,*
Affiliation(s)
1Panzhihua University, Panzhihua, Sichuan, China 2Sichuan Minzu College, Kangding, Sichuan, China *Corresponding Author
Abstract
In the context of revitalizing intangible cultural heritage, this study proposes the concept of "coexistence of medicine and art", using Thangka murals as a medium to condense Xizang medicine, Chinese medicine, and incense into the earth layer, while preserving the tradition of mineral painting and endowing the works with continuous incense release and spatial healing functions. Four major thematic series, including sleep-inducing and invigorating, were developed. Artistic symbols and herbal formulas were co-translated to achieve the integration of cultural expression and health benefits. A test of 700 people showed that 70% of the participants experienced emotional relief and improved sleep quality, and the anxious group perceived the healing power of art that resonated with traditional visualization. The project builds "perceptible cultural health carriers", breaks through key technologies of materials, scenes and symbols, creates multi-dimensional experiences of "olfactory - visual - tactile", and provides a demonstration for the innovation of intangible cultural heritage handicrafts into life health media.
Keywords
Revitalization of Intangible Cultural Heritage; Symbiosis of Medicine and Art; Innovation in Thangka Murals; Cultural Health Carrier; Art Healing.
References
[1].Wang Xinyuan, Cui Tianjian. Color Psychology Interpretation of Thangka Art: A Case Study of King Gesar Thangka. Architecture and Culture, 2016, (01):221-223. [2].Gong Xin. Innovative Application of Traditional Decorative Art Elements in Modern Interior Design. Portrait Photography, 2024, (12): 167-168. [3].Fan Jianqiu. Research on the Painting Style of Xizang Thangka. Central Academy of Fine Arts, 2008. [4].Zhao Lihui. Continuing Tradition and Facing the Future: Several Issues Related to the Study of Materials and Techniques in Chinese Painting as Seen from the Current State of Dunhuang Grottoes Art. Journal of Tianjin Academy of Fine Arts, 2020, (01):74-76. [5].Zhang Daoxi. Application of New Techniques in the Transformation of Traditional Chinese Murals: The Role of Traditional Mural Materials in the Preservation of Chinese Painting. Journal of Hubei Institute of Fine Arts, 2017, (02):96-99. [6].Lu Tian 'e. Research on the Design and Development of Cultural and Creative Products [M]. Cultural Development Press: 202312.188. [7].Xiao-jun Chen. Shadow play technology application in the jewellery design research. Guangdong University of technology, 2023. The DOI: 10.27029 /, dc nki. Ggdgu. 2023.000577. [8].Navy. Semiotic Research in Graphic design. Tsinghua University, 2004. [9].Li Yazheng, Zhou Xuan. Application of Virtual Reality Technology in the Protection and Inheritance of Intangible Cultural heritage. Science, Education and Culture, 2022, (16):132 [10].Li Lu, Li Chenyu, Xu Shanshan. Memory and Space: Logical Construction for the Revitalization of Intangible Cultural Heritage in Historic Towns - An Empirical Study Based on the Ancient City of Zhijin, Guizhou. Journal o huaqiao university (philosophy and social sciences edition), 2023, (3): 67-81. The DOI: 10.16067 / j.carol carroll nki. 35-1049 / c. 20230221.001. [11].Wan Fubin, Fan Daozhi. A Discussion on the Empowerment of Rural Revitalization through Technological Innovation in Traditional Crafts. Trends in Emerging Science and Technology, 2020, 4(03):275-281. [12].Bao Qiuchen. Research on Chinese Catering Space Design Based on Donald Norman's Three Levels of Design [D]. Luxun Academy of Fine Arts, 2025. DOI: 10.27217/d.cnki.glxmc.2025.000339. [13].Xiang Li. Aesthetic Capital and the Contemporary Approach to the Resource Utilization of Intangible Cultural heritage. Journal of Nantong University (Social Sciences Edition), 25, 41 (01):137-148
Copyright @ 2020-2035 Academic Education Publishing House All Rights Reserved